Category Archives: Television

Four Current Examples of Dynamic Characters

Dynamic and Static characters may seem like an easy-to-process concept, especially with some solid examples. However, you may run into the problem of your solid, perfect example becoming suddenly (or not – let’s be truthful with ourselves) obsolete.

Well, here’s where I come to the rescue. Without further ado, here are 5 examples of Dynamic characters that today’s youth will understand. The design is such that hopefully if you cover this list, at least one will hit students the right way, and you’ll have that “Ohhhhhh” moment!

Vegeta, Prince of Saiyans



Vegeta begins in an anime/manga called Dragon Ball Z, where he starts as a heartless alien prince hell-bent on destroying all life on Earth so it can be terraformed and sold to the highest bidder. He is cruel, sadistic, and arrogant. He shows this through his cruel fighting style, as well as his unflinching penchant for destroying those in a vulnerable position. A perfect example of this is when his partner – unexpectedly defeated by the heroes of the series – begs him for help. Vegeta pretends at first to help his long-time partner-since-childhood, then instead tosses him into the air and brutally destroys him in a blinding flash of power.



This one is great because every time we see Vegeta, he is going through some kind of change. Like the next example, we almost never see the same Vegeta twice.

Vegeta is forced to fight on the heroes side repeatedly out of self-preservation, and somewhere along the way a change happens inside him that he has to wrestle with. It arguably begins when he marries one of the heroes, Bulma, and has his first child with her. He battles with his newfound affection and benevolence for Earth, and even tries one last time to turn to his evil self before eventually holding his son close and telling him he’s proud to be his father, and then subsequently sacrificing himself to save the Earth.

Iron Man/Tony Stark

This superhero is one that is always in a different part of his personal journey when you see him, and even though his first movie was about a decade ago, he’s still hugely popular.


Tony Stark starts as an arrogant genius inheritor of a world-changing weapons manufacturer, Stark Industries. While the arrogant part of his personality takes a bit longer for him to adjust, his sense of responsibility for the world’s events begins when he is kidnapped and sees firsthand his company’s weapons being used in the Middle East to oppress innocent people.



This one is more impressive to kids if you go movie by movie.

  1. Iron Man – By the end of this movie, Tony realizes that he cannot differentiate himself from the new task that he has before him in protecting innocent people. The last line is one that allows him to take responsibility for his actions and to truly own the changes he has gone through in becoming a hero: “I am Iron Man.”
  2. Iron Man 2 – Tony starts this movie as a superhero, but an arrogant one. Bit by bit, this comes back to bite him as he first gets outdone by a man who figures out his tech from his broken down hut, followed by losing everyone close to him. He ends the movie a more humble hero, leading to…
  3. The Avengers – By the end of this movie, Tony readily sacrifices himself for the good of humanity. He lives, but not because he wasn’t ready to die. In fact, he spends the 3rd solo movie freaking out about how traumatic this experience was. No matter what you think the catalyst is for his change, it’s apparent that the Tony Stark of the 2008 movie would not be prepared to do what he does in this film.

There are more movies, but I’ve got three more characters to go. Don’t be greedy!

Oliver Queen/The Green Arrow

Oliver Queen is a famous DC hero, but most kids will know him from The CW’s hit series, Arrow, or if they watch any of the other three or four shows that take place in the same universe. Warning: If you’re watching this show, I spoil it brutally here.



There are some obvious character changes here when it comes to Oliver before and after his father’s yacht, The Queen’s Gambit, is shipwrecked, marooning Oliver on the remote island of Lian Yu. Before the shipwreck, he is a fun-loving, irresponsible, selfish man who took his long-term girlfriend’s sister on a cruise for several days. Scandalous. However, there are less obvious changes that make this character dynamic. After 5 years of being away from home, Oliver returns as a figure known as The Hood, and begins to “save the city” by doing whatever it takes to destroy its criminal element – including eliminating people on a list that his father leaves him. While this may sound badass and hero-ish, this literally makes him a serial killer.



Over the course of seasons of the show, Oliver decides that the killing must stop. He also makes several changes regarding his life of deception, especially when it comes to who he should trust and what it means to be in a trusting relationship. This conflicts often with his life as “The Hood,” and later “The Arrow,” and then even later, once he stops killing, as “The Green Arrow.”

He also vacillates regarding how close he keeps the people around him, starting with his bodyguard, Diggle, who eventually becomes the hero “Spartan,” and Roy Harper, who becomes the Red Arrow (known in the show as Arsenal). By 2017, the show has a “Team Arrow,” composed of Wild Dog, Mr. Terrific, the third Black Canary, Spartan, and The Green Arrow himself. This is a big departure from Oliver’s tendency to go it alone.

This team is eventually broken up due to a breach of trust; Oliver suspects one of his team is a mole, which leads him to spy on the whole team. This shows the struggle that Oliver still has with trusting others. He eventually reconciles with the team, even though they agree to go separate ways.

Despite this apparent failure of this team, Oliver of 2018 is a lot more compassionate, trusting, and responsible. He is even elected as the Mayor of Star City.

This version of The Green Arrow draws a lot of comparisons to Batman. However, one should note that Batman’s character tends to NOT change, even as the events of the two plots begin to look similar.


Yeah, I know you know this one. We all know this one. This one works because a lot of our high schoolers were like three or four years old when Finding Nemo came out, so they’ll get it.



Marlin the clownfish is a paranoid, neurotic, single father who is terrified of the ocean and even more terrified of losing his son. This is mostly due to a traumatic incident in which a barracuda killed his wife and hundreds of his children, leaving only one survivor – his son, Nemo. As a result, Marlin is fiercely protective of Nemo, to the point that he stifles Nemo’s development. His fears are further exacerbated by Nemo’s apparent helplessness – one of his fins is tiny and underdeveloped (dubbed as Nemo’s “lucky fin”).



When his son is picked up by divers, Marlin goes on a crazy odyssey to recover his son. He is forced to confront his fear of the ocean’s dangers, as well as confront the faults in his own parenting that led to this situation. This is further helped by his encounters with a regal blue tang named Dory, who tries to help him despite having a memory and attention span so short that she often requires the same type of supervision as a child. By the end of the movie, Marlin is more confident and assured of his own abilities as well as those of his son, and he happily allows his son to have experiences in childhood unmarred by fear. He also accepts Dory as part of the family, which displays his newfound openness and security, along with the development of his ability to trust.

Hopefully, between these four examples, you are able to successfully convey the concept of dynamic characters. I purposefully avoided famous literary characters, because I know pop culture references work better, plus now you can ask them yourself after talking about them with your class without you having given them the answer. I’ll write another soon, talking about some static characters you can use – these are remarkably a lot harder for some people to pull out nowadays.


Life on the Sesame Street

“People on “Sesame Street” had limited possibilities and fixed identities, and (the best part) you weren’t expected to change much. The harshness of existence was a given, and no one was proposing that numbers and letters would lead you “out” of your inner city to Elysian suburbs. Instead, “Sesame Street” suggested that learning might merely make our days more bearable, more interesting, funnier. It encouraged us, above all, to be nice to our neighbors and to cultivate the safer pleasures that take the edge off — taking baths, eating cookies, reading.” – Virginia Heffernan, The New York Times Magazine

You’ll definitely hear me harp on Sesame Street from time to time.  Sesame Street was a gift to my development as a child, teaching me lessons that I didn’t even know would be integral to life both as an adolescent and as an adult.

Here are some lessons that it taught me.

Put Down the Ducky


This musical number is seemingly innocuous – like most of Sesame Street.  Ernie keeps hearing squeaking noises when he tries to play the saxophone, and it’s because he tries to play while holding onto his rubber duckie.  The song tells him to put down the duckie.

I was using the phrase “put down the duckie” long after I watched this is a child; it was clear to me that if something is preventing you from doing what you want to do, then you need to learn to let go of that thing in your life.  This can apply to bad habits, addiction… anything that keeps you from “playing the saxophone.”  Sure, you can learn to accomplish your goals while compensating for this weakness that you refuse to give up, but if you know deep down inside that it’s time to let go, you’ll still hear that little squeak when you play.

This metaphor mixes up a little bit with the lighter concept of “it’s okay to let go – if it’s good for you then you’ll be able to pick it up again.”  We know that Ernie’s relationship with the duckie is not in itself harmful – he just needs to let go of it for the moment.  His friend assures him “you can just pick it up when you’re done!”

Being Proud of Yourself Doesn’t Mean You Need to Bring Others Down


This lesson needs to be taught more.  I hear so many people talk about how important it is to have pride.

“I’m proud to be [insert race here]!”

“I’m proud to be a [man/woman/other]!”

Then they go and disparage others.  “The white people do not understand blah blah”  “You’re cisgender so blah blah.”  “This meeting is only for [my group that I have pride in].”

In Fuzzy and Blue, Grover expresses his pride in being born fuzzy and blue. (“It’s just the way that I grew…”)  He is joined by Harry Monster, and then Cookie Monster (“me just so fuzzy and blue!”) who enter seamlessly.

Then comes Frazzle.  Frazzle is orange.  Frazzle is a very different addition to the Sesame Street cast – his appearance is extremely fierce, with bright orange fur, a strong, thick unibrow, and an inability to speak English without a thick gurgle that renders him incomprehensible to non-monster ears.  Grover is reluctant at first – or perhaps simply trying to comprehend the pull that Frazzle appears to feel for being involved in a song that is about pride in being blue.  (“All right, all right, just thought I’d mention it!”)  Then, although the song is practically over, they restart it for Frazzle and modify their refrain:

“We’re fuzzy and blue (and orange!)”

They do this with no outside prompting, no mediating parent, no supervisor, and no union intervention.  It’s true – pride in oneself is important, and that involves knowing what it is you’re proud of.  I can be proud of being tall – does that have to mean that I’m disparaging short people?  No.  Short people can be proud to be short, and I can agree with that pride without undermining my own pride.

Frazzle is different, and his friends support his difference and his pride in being different without any insecurity about themselves and what they value.

Interestingly, everything Frazzle says sounds the same (something directly addressed in the show).  Who hasn’t made that comment about a foreign language before?  Frazzle represents a foreign identity even to Sesame Street – which has monsters, but most of them are friendly colors.

Oscar the Grouch


Oscar the Grouch makes it very apparent that Sesame Street is not a perfect place.  He is a misanthropic, grouchy monster that lives in a trash can.  He doesn’t enjoy anybody’s company, nor does he want anything to do with learning any lessons.

Oscar is as close as it gets to being a social pariah – my memory isn’t amazing, but as far as I can recall he is the only character whom other characters chide and to whom they even suggest that he needs to change his ways.  His life doesn’t look very nice, which could be a cautionary tale… or it could even suggest that Oscar is crying for help by making sure to surround himself with the people of Sesame Street.  Whichever it is, Oscar’s grouchiness doesn’t keep the people around him from talking to him or involving him in their conversations.

Sesame Street – with Oscar – is now a complete image.  It is not an idyllic, utopian place, it’s a ghetto.  Yet, the show is adamant that the place is amazing, with everyone wanting to know “how to get to Sesame Street.”  The people (and monsters) of Sesame Street aren’t trying to leave –  instead, their reaction to the hand they’ve been dealt is to watch each other’s backs.

The relevant links can be found below, but I want to take this opportunity to make a point.  I’m not saying Sesame Street is a gem to the world of television (it is, but I mean that it’s not my main point).  I’m saying that the kid shows you put your child in front of have lasting effects that go beyond the obvious – and certainly go beyond that stage of development.  We remember the things we see, and they DO stick with us.  So the next time you let TV do the babysitting… it’s worth thinking about what you’re letting your kid be inundated with.

Either that or communicate regularly with your child.  Crazy talk, I know.

NOTE: Old School Sesame Street and modern, HBO Sesame Street are not the same beasts.  As a result, some people argue that old school Sesame Street might not be suitable for children today, as a lot of the concerns modern parents have were not voiced or even present back then.  We’re talking a depressed talking elephant that only one character can see, a homeless misanthrope, and a scene where Cookie Monster eats a pipe.  If these sound shocking to you, then you know not to watch.  If it just sounds like pre-hipster age television, then enjoy.

Or again, you could show it and then just talk to your kids.

Relevant videos:

Not Unnoticed: Asians in Pop Culture

I’m a pretty chill guy.  Not critical at all.

No, that’s a lie, I’m pretty darn critical.  That being said, most of the things I like to argue about and criticize are hypothetical, and not something that I feel passionately about.  Usually, it’s because I’m discovering whether I care or not as I discuss – usually by the end of the argument, I care very much.

So it is with the Asian presence in pop culture.

Something is off…

When I first encountered this issue, it was (as it was for a lot of people) upon viewing Indiana Jones and the Temple of Doom.  Short Round was just… offensive.  I was a child, so I couldn’t really put my finger on it.

Then I watched Big Trouble in Little China in elementary school during afternoon day care.  I was surprised when a character in the middle of the movie started fighting everybody with clear, practiced moves, as I had assumed the character to be a helpless bystander.

“He can fight?!”

Brandon, the aide watching my class during afternoon day care, said “He’s Chinese, so in this movie, of course, he knows kung fu.”  Then he and the students around me laughed; his laughter was because the movie was making fun of pop culture by enabling it, and the students’ was because that logic just made sense to them.

I just didn’t get it.  I assumed it was a plothole.

I grew older.  I grew up on Jet Li, Donnie Yen, Yuen Biao – and absolutely anything by Tsui Hark, Corey Yuen, or Yuen Woo-Ping.

I found out that Jackie Chan was going to be in a movie with Jet Li.  It would be called “The Forbidden Kingdom.”  This is the poster:


It would get a western theatrical release!  How exciting!  Choreographed by Yuen Woo-Ping?!  Yes, yes, yes!

So imagine my surprise when the movie was in English.  Okay.  Interesting, considering almost nobody in the movie speaks it as a first language.  Then I saw the most offensive part.


Who the flying Funk & Wagnalls is this, you ask?  It’s the star of the movie.

What, was there not enough star power with Jet Li and Jackie Chan?  These are international powerhouses.  The marketing alone shows that they were aware of how Li and Chan would draw people in.

I was reading The Joy Luck Club with my class, and I decided to watch the movie.  I didn’t end up showing it to my class because a lot of the movie has a mother talking to her daughter about her life at home in China – all in a thick, Vietnamese accent.

I got mad about it.  I read Yellowface in college and got mad some more. Then I decided that the world needed to take a chill pill.  It’s not worth being mad about, I thought.  The world will learn, people will see.

Nobody sees.

Warning: the following image may cause intense physical pain to the viewer if they are in any way appreciative of the manga/anime Dragon Ball.

dragon ball evolution

I can’t even talk about that one without seething for the rest of the day, (no matter who apologized) so I’m going to discuss one that all Americans have a chance of understanding.

Bones is one of those rare shows that both my wife and I enjoy.  In it, a forensic anthropologist named Dr. Temperance “Bones” Brennan works with her FBI partner Seeley Booth to solve crimes by looking at the clues found in murder victims’ human remains.  The show is entertaining because it has action, mystery, romance, and even elements of science fiction (the multi-million dollar Angelatron named for the Bachelor of the Arts grad that can hack into anything and create facial reconstructions from remains – no matter how grotesque of a condition they may be in.  Once, the victim was already cremated.)

I was binge-watching the series with my wife on Netflix today when we got to an episode of Season 10 called “The Lost Love in a Foreign Land.”  In this episode, Bones and Booth discover an underground human trafficking ring in which women were being trafficked out of Yianbian, China.

The murder victim looked pretty Korean to me, but that’s okay, I reasoned.  [Further research explains this, as Yanbian is on the border between Korea and China.  I didn’t know this, but before you start forgiving people, keep reading.]

Then it got insulting.

The Angelatron used facial recognition (or some other garbage tech) and pulled out a list of suspects.  This led them to their suspect, Sung Dae Park.


I’m just so thoroughly disturbed by how Vietnamese his accent was.  At this point, I realized that the story they wanted me to buy was that this Vietnamese guy had a Korean name and lived in a village in China.  Maybe you can’t hear it, but his accent might as well have been Australian, and his name Igor Boris Natasha – that’s how noticeable these things are to an Asian audience.

I understand that the Korean thing can be explained by the bordering Korea thing, but you can bet that if it was a white person speaking Spanish, they would bother to explain why he knows the language.  They just threw us Chinese people with Korean names… then had them played by Vietnamese people.  Even if you excuse that, the accent!  The ACCENT!  Worse, the accent was a choice – by either the director, the producers… or Scott Ly, the actor himself.    How do I know that?  Look, Ma, no accent!

(“Ly” is a Vietnamese name, in case you’re doubting me.)

Maybe they couldn’t find anyone to play this character more authentically, you think.  Well, Bones was filmed in Los Angeles.




This was just like the lady in The Joy Luck Club.  If Jackie Chan can play a Vietnamese guy in his upcoming movie The Foreigner, then surely this is to be expected, right?

Wrong.  I know I can’t effect change all by myself, but I’m putting them on blast.  You thought surely nobody would notice?

We all notice.  Be ashamed.  Do better work.

That being said, I’m torn – because The Foreigner looks awesome.


About This Here Power Rangers Reboot…


Whoa whoa whoa, slow down, America!  We’re really doing this?  We’re going to make a reboot movie of a show which literally took action footage from another show and inserted white people to make a completely new show with roughly the same storylines and battle scenes?

Okay, I’m down.  But we all know this is going to be bad, right?  Even the best parts of the original show are bad.  Awesome?  Sure, but nobody thinks that this is going to be good, right?  Like am I going to be mad because Saban’s Power Rangers was overlooked by the Academy?  Every year, I keep expecting the acting for the latest Power Rangers franchise to get better because, hey, it’s 2016, maybe they figured it out by now.  No such luck.  The movie will not be better.  CG doesn’t make everything better.


This is the armor Saban made for the very first movie.  Besides removing the lump that was the Yellow Ranger’s package (he was a man in Japan, you see) and making everyone shiny with little coin logos, there wasn’t much modification done.  Now we have alien cyber-suits, possibly some kind of bio-engineered thing.  But of course those aliens made sure the girls got boob cups and high heels.


And let’s not forget our classy villain played by Academy Award Winner wait no sorry Elizabeth Banks.  She’ll be wearing an equally practical suit for ruling the world.  Is that part of her gauntlet doubling as shoulder armor for an otherwise bare shoulder?  She looks like a stand-in for Poison Ivy from Batman and Robin.

Ooh.  Just got a chill.  Must be a freeze coming.

The only way I’m really on board with this is if it really embraces what it is and doesn’t even try to be serious.  This is not going to be Chris Nolan material – heck I’ll be glad if it’s even Chris Rock material.

Half of the success of the Power Rangers is the amount of camp in it.  No camp = no Power Rangers.  If they try to get dark and gritty, or worse, go the way of CG = Everything.  If that happens, I wouldn’t be surprised if we got an apology to the fans a decade later.

I could swear I’ve seen something like this, where an alien suit gets dropped down and some kid finds it and uses it to fight the alien chasing after the suit… I could never find that movie.  I guess I won’t have that problem anymore after this.  Just…

(UPDATE 5/7/16: Because the Internet is mighty, I found it.  The movie is called Star Kid.  Don’t watch it.  Just rest knowing that it was found.  Curiosity satisfied.  Case closed.  Keep moving.  Don’t IMDB it.)

Are we sure we want millions spent on this?  Don’t we have a struggling education system that could use the money more?  What if they just made a new series with our own CG and solid acting and just aired it after Arrow on the CW until people realizes it won’t work, or it backfires and goes on for 10 more seasons and makes a lot of people famous?

Update 5/07/2016

I can’t believe I didn’t see this before: WHERE’S FREAKIN’ TOMMY?!


I mean, yes, they’re probably doing the whole evil to good arc considering that’s the only story arc worth anything from Mighty Morphin’, but still… how dare they cause us to doubt his presence.  Obviously if they can’t get JDF in there they should at least have the character.


Daredevil Season 2: Upstaged – Review (Spoilers)

First of all, I want to say that yes, I am a Daredevil fan.  I am familiar with “the lore” as Sam Winchester would say.  Secondly, I watched the original movie with Ben Affleck, and I thought it was awful.  Thirdly, I then saw the director’s cut of the movie, and thought it was wonderful.  And fourthly I want to say that I did watch the first season, and for the most part, I thought it was great.  With the second season comes more to love… and then more to not love.

We’re going deep into this one, folks.  If you’re the audience that can’t take spoilers, get out now.  This is for people who have either already seen it, or for people who watch things for the experience, not for the surprise.

Matt Murdock – Shaking, But Not Stirring

murdockCharlie Cox returns as Matt Murdock, and some things became quickly apparent.

One immediate problem was that Matt’s got nothing new.  Charlie Cox is struggling to show off in this series but there’s nothing he can do; he’s blind, so facial expressions don’t really make sense.  You can’t look into his eyes.  I don’t envy the acting challenge.  Ironically, it’s when his face is covered that you see him come alive.  The physicality of his role as Daredevil is extremely demanding.  The “life” his character shows when in combat is not just the product of his choreography, you can see which fight scenes were filmed on off days and which weren’t.

The character of Matt is harder to identify with as the people around him start asking for things that he can’t give.  It’s not like Batman or Spider-Man, where you feel like the people would back off if they knew of his secret pasttime.  No, in this case his partner Foggy knows everything, and is asking for things that anybody in the position of business partner and best friend would ask for; namely reliability and the ability to count on him in times of need.  As Matt begins neglecting his day life and going out more as the Devil of Hell’s Kitchen, it’s hard to agree with his logic.  I began to miss the lawyer scenes.

You’ve Got a Friend in Me

You’re a good man, Foggy Nelson.

Here is where as a character Matt becomes seriously upstaged.  Foggy Nelson is once again played by a cast-out-of-nowhere Elden Henson, who kills it in his role by being likeable, mouthy, yet unashamedly straightforward, decent, and honest.  In the old Ben Affleck movie, Foggy was a comical afterthought.  Here he is a true character.  He struggles to keep Nelson & Murdock afloat and tries his best to understand Matt’s other commitments.  He is also deeply hurt at Matt’s insistence on keeping him excluded from his activities and for never telling him about the darker part of his life, and this shows during the times when he has to tend to Matt’s injuries – from getting him hospital care to one point simply reaching out to wipe some blood from Matt’s head as they walked together in the street.  Matt takes this guy for granted, and it becomes hard to understand why as a viewer when he’s so obviously an asset, being both a fellow lawyer and a good friend.


Deborah Ann Woll returns as Karen Page, this time with her character being a very obvious reason to explore the Punisher’s past.  Unfortunately, these parts tend to drag, as some things that are very easy to guess seem to take forever for her to figure out.  She is also the only one in many of her scenes to not know who Matt is, which becomes tiresome, especially when she and Matt begin to tentatively date.  In the end, she gets mad at him – pretty understandably, because after days of no-showing she finds him at home with Elektra in his bed… not a lot of explanations she can possibly think of in her head.  In fact, it sort of looks like Stick is her pimp in that scene.  I’ll talk about her later though, because I can’t hold back from this next guy.

Upstaging the Hero


That’s right – it’s the Punisher.  As promised.  He is completely intact as a character, though I don’t think this version smokes.  Jon Bernthal steals the show in every scene he’s in.  In the beginning he’s believed to actually be a disgruntled army – only later is the threat revealed to be one man.  The trauma not of being at war… but being at peace and then losing his family – and then being forced to relive that trauma again and again due to his brain condition is one that makes it easy to sympathize with this murderer.  His dialogue is so unabashedly fascinating that when he’s out of the picture for a while the series slows to an unbearable crawl.  An awful crawl.  Almost a turn-off-the-TV crawl.  Then…


Kingpin is baaack!  Oh, welcome back, man!  I was so grateful to see this guy because up until then I was ready to quit the series.  Man, was this guy scary last season.  Calm and cool… then ANGER EXPLOSION!  His scenes with Punisher are some of the most riveting.  The series picks itself back up again here, even though I’m going to talk about the things that hurt the series next, it’s worth it to give Vincent D’Onofrio his dues as the one who saved Season 2 for me.  Especially since the things that hurt Season 2 for me were quite unforgivable.

Awful Things That Make Me Worried About Season 3

Failed Femme Fatale

Elektra looks like she’s constantly trying to seduce the director into not firing her.

Elektra is in this season, and she’s boring as anything.  She likes Matt, and she likes killing.  She’s sad about Matt not liking killing.  Then she’s sad about liking killing.  So she leaves and then after killing Angelo from Switched at Birth goes after Stick.  Then Matt decides he loves her and wants to leave the country with her.  But everyone knows Elektra dies right?  So she dies.  NOOOOOO! screams Matt.  Nobody cares.  Because the other thing we all know is that Elektra is always resurrected.  ALSO, there’s even a character from the first season, Nobu, that already has been resurrected, so it surprises nobody even so.  She’s boring and not intriguing or interesting.  She’s not exotic, she’s just boring.  Do not pass Go, do not collect $200.00, just go directly to jail.  Except jail would have Kingpin, which would make it more interesting again, so…




So the old guy is back, and while he was great in the first season, he’s all over the place here.  Matt can’t seem to decide whether this guy is crazy, deserving of his help, or an awful person.  One second it’s “screw you, Stick!” then it’s “I owe him everything!”  Stick seems similarly confused, as he vacillates between sentences of admiration “You’re the toughest kid I’ve ever met.” and derogatory remarks about how Matt has supposedly “gone soft.”  The end result ended up feeling like an excuse to keep us away from Frank Castle and Kingpin stuff… Unforgiveable!


So on a scale of 1 to 1o, I give this season a 5.  This is the best version of Kingpin and the Punisher I’ve seen so far, but a lot of this season felt like filler.  The parts with the proper villains shine through wonderfully.  Here’s to more of that next year… you know, after they’re done with all that ninja garbage nobody cares about.




“N-Naruto…-” Get Real.

All heroes have their admirers.  Naruto is of course constantly after Sakura, as she is the heroine that he hangs out with constantly – plus he knows that she’s in love with his rival, Sasuke, which only makes her more attractive to Naruto as a challenge to overcome.  As Naruto’s arc develops, so too does Naruto himself develop in maturity.  His relationship with Sakura also develops too.

So naturally, this means that Naruto eventually winds up with Hinata.

… Wait, what?  Is this some kind of joke? How does a writer as brilliant as Kishimoto – the man who wrote Naruto’s inspiring speeches, developed lovable ensemble characters like Shikamaru and Choji, and cultivated long-standing relationships such as Naruto’s bond with Kurama – know absolutely nothing about writing a proper romance?  Hinata is the worst choice of character for our hero, and there are plenty of reasons why.

A Bad Example

Hinata is an awful role model for girls.  Her entire existence – spanning decades if we’re going to consider her little scarf debacle in the last movie to be canon – has been about Naruto’s approval.  She’s the heir of a wealthy clan, born with a biological advantage (the Byakugan), and apparently a very capable ninja and a master of the Hyuga clan’s signature Gentle Fist style.

I guess you can’t have too many skills in one basket, because she also seems to have some kind of crippling personality disorder.  She never speaks up for herself, never goes for what she wants, and has very stalker-like tendencies when it comes to our hero.  She even deals in creepy stalker absolutes; “I want to stand by your side – forever!” she rehearses at one point.  WHOA.  Forever, girl?  How about you go out for noodles first, then see whether you even like the same things, because I can’t think of someone more different from our hero than you.


Her dialogue is literally “N-Naruto…!” whenever he does something to vaguely acknowledge her – positively or negatively.  She wilts and blossoms at his syllables.  What this teaches is that girls should be meek little flowers that wait until the object of their affection’s whims lean in their direction.  

Some may say that Naruto is an anime series, not a fable, and that it has no responsibility to teach anything.  If that’s true, why create such an inspirational character as Naruto?  He’s a brat that stays fixated on one goal – stubbornly refusing to be shaken from the morals he grew up with, even when it seems that all above him are ready to do so.  He wins not only the approval but the admiration of his teachers and peers alike because of this.  When it’s time for him to decide his Ninja Way, it’s that he’ll never give up on something once he’s decided to do it.  Naruto is not the best ninja there.  He isn’t the most powerful or the most experienced.  He’s not the first person they call for  an emergency.  He isn’t Goku, the all-powerful hero.  He’s a flawed child with a personality to be infectiously good despite his rough manners, boisterous personality, and tactless rhetoric.  Why go to the trouble to create such a role model for kids – such that they realize they don’t have to be perfect in order to be good people – if you’re going to not teach lessons through what he does?

Naruto gains the lifelong respect of former adversaries – like Gaara – due to his persistence and strength of character.

Below His Character

While there are plenty of reasons to admire Naruto for the many things he has done for his village and the world – as well as for his winning optimism and eagerness to be the best shinobi his village has ever seen – there are not many reasons for Naruto to see anything to admire in Hinata.  When watching the movie The Last: Naruto the Movie, it became apparent that the biggest factor for Naruto’s reciprocation of her affections was… it was a sure thing.

Ew.  What a seedy way to portray the character that worked so hard to win my respect.  The excuse commonly given for Naruto’s ignorance of Hinata’s love is that he “hasn’t had anyone to express it to him before.”  First of all, lies!  Second of all, he expresses his own affection for Sakura constantly, such that he would definitely understand if Hinata were to talk to him like a human being instead of stuttering his name all the time.


Naruto: “Wow, Hinata, you sure did a good job eating all that ramen.”

Hinata: [shocked that she was noticed at all] “N-Naruto…!”

Naruto: “I’ll bet that’s how you bulk up to get so strong!”

Hinata: [shocked at being complimented] “N-naruto…”

Naruto: “Well, I’m going to go talk to people that actually talk back.”

Hinata: [sad that their interaction is over] “Naruto…” [Her eyes swell with tears, partly with happiness at the overall tone of their conversation, partly because of the welling of emotion that she feels for him.]


What is there to admire?!  All of the paragons of awesomeness that Naruto worships are people with real skills, real admirable traits!  He appreciates Kakashi for what he learned about being there for your comrades.  He learns some really neat skills from Jiraiya.  He respects Might Guy for the way he bolsters Lee’s confidence.  He admires Sakura for being a strong person.  He admires Sasuke’s drive to achieve one goal, with the possibility that this might have even been the inspiration for his ninja way.  Sure, Hinata is powerful, and Naruto can respect that, but she shows no initiative in using it.  It might as well have been a secret!  Naruto starts using sickening language like “I’ve been in love with you.”  Do you know what “been” means, kid?  It means that it was an ongoing thing.  You expressed no such thing in the past – not to the audience, not to your own internal monologues, and certainly not to anybody else.

The disappointment I feel in such a poorly written relationship for such a well-written series AND main character is tantamount to what would happen if Luke Skywalker had been killed by Jar Jar Binks seconds before entering Jabba’s Palace.  It’s like if Goku’s death to defeat Raditz had been his exit from the series.  It’s like if the Clone Wars replaced the EU’s Mandalorian warrior race with a race of peace-loving… wait, that one was real.

One of the saddest retcons in Star Wars history.

Anyway, Naruto’s sudden decision to reciprocate in such a way (“I’ve always loved you, Hinata!”) cheapens Naruto as a character and worse, advocates behavior like this.  Better that he stay single than do this.  There’s no risk here.  There’s no character that puts their feelings on the line for the other – Hinata never even has to admit how she feels.  Naruto ends up reading her mind (via magic water and of course in true Naruto and Naruto Shippuden style: a series of flashbacks), so he knows it’s a sure thing.  There’s no risk at all for him to express his affection, and worse, because it’s the first time he’s ever expressed this affection, it looks manufactured.

Things Matter

This is why even fillers should be vetted carefully by those familiar with the main storyline.  These Hinata fillers are the reason why Hinata is getting such a nasty portrayal.  They’re still canon!  Character development always matters!  Handle your characters with care, or else you might just cheapen the character you worked so hard to create.