The Intern may be forgettable as a light drama with very little actual drama, but one has to also keep in mind that there is a reason for certain genres to exist. Even if you are catering to a specific genre or audience, however, it is important for movies to have that layered feel; that feeling that there is a world beyond the screen, and that the characters are living their lives offscreen while you’re watching different ones. This movie is not for those who text while watching a movie – which is rude anyway. This movie is for those that actually watch movies and need a break from having to strain their brains (such as in the Fantastic Four remake, where the viewer is constantly having to go “okay, NOW what just happened and why?”).
This movie is a feel-good drama starring a kind, cheerful old man named Ben Whittaker (De Niro). He keeps busy, eventually taking an internship to shake up his life. Ben is a living example of what old people could do if they were still willing to adapt to new things. His can-do attitude and initiative make him stand out to the founder of the company, Jules Ostin (Anne Hathaway) and become fast friends.
The message that this movie seems to send is that some things in life are timeless, completely immune to the changing dynamics of modern internet business. I only wish students believed me when I told them that it doesn’t matter what they know or what they study – as long as no matter what they do, they do it with maximum enthusiasm and a commitment to work hard, they’ll get a good recommendation out of any employer.
Interesting characters are flawed characters. Which is why if you watch a lot of movies, you might get exhausted from seeing all the nasty, unsavory people movies have to offer. This movie is a nice break from that, as there’s nobody really to hate in this whole thing. It’s not a movie to watch by yourself, though. Watch it with your significant other, then return it to RedBox the next morning, whistling.
Rather than hold to a consistent narrative, it seems more like the creators of this movie thought “How can I just make people feel good about the world for like 2 hours?” The feel-good drama is not a hugely populated genre. In fact, in college I might have ridiculed such a thing. However, in a world where Donald Trump might become President, it’s not the most unwelcome thing in my life.
I give this movie a mathemagical score of 7 out of 10. Single people, I’d tell you to watch the latest Hunger Games, but that movie was awful. Don’t. You’re better off just playing a video game and going to bed.
Before I get into this review, I have to divulge some information. Pizza is one of my favorite foods. I consider myself a definite pizza expert when it comes to the pizza choices around me, and especially when it comes to the major chains out there. I’m a major believer in all of the parts needing to be there: The Crust, The Sauce, The Cheese, The Toppings, and The Love. That said, my expectations were not immense when conducting this review. I eat Little Caesar’s now and then, and I was expecting about that caliber of a pizza pie. I was pleasantly surprised by the presentation of the pizza.
Not too bad. It also smelled pretty amazing and pretty darn fresh! So I was excited to get it home and to get into this bad boy. I was pretty hungry, so I was expecting to enjoy myself regardless of quality.
The crust gets a no. It was soft, with no resistance as I bit into it. If I have to say it explicitly, I will: The word Lunchable floated through my head. This is often the part of the pizza that can save an experience. To its credit, I didn’t taste a huge amount of grease, and the flavor profile was very similar to Papa John’s, which probably meant that the dough and everything was indeed fresh. But the texture was wrong. The Crust earns a score of “No.”
The sauce was there. Well, there was a reddish liquid paste separating the cheese from the crust. I didn’t taste a lot of grease in there or anything… but the sauce might as well have phoned it in, because there was no flavor in there whatsoever. It was there to be a liquid in a sea of solids. It was about as appetizing as it sounds. The Sauce also earns a score of “No.”
I know this is starting to sound like some kind of pizza nightmare. The cheese is this kind of swimmy flavorless layer that separates you from the sauce… which really just separates the cheese from the crust. I didn’t know you could feel disappointment by the slice. The cheese stands alone.
.. oh, I’m sorry, was that joke cheesy? Good. Something in this review should be.
The pepperoni had NO CRUNCH and NO SPICE. WHAT?!
Pepperoni with no flavor and no crunch?! Toppings are usually the part that gets too much emphasis! Pepperoni with no flavor and no crunch is just roni. I got no use for roni. Roni is gross and disgusting. Roni is the stuff people put in Subway sandwiches to make it a “spicy Italian.” Roni causes violence in our streets. The Roni gets a “No.”
Pizza is a social food. With each bite I could inexplicably feel myself losing Facebook friends. Why did somebody approve pizza for 7-Eleven and then pay absolutely no attention to the execution? I expect this silliness with some gas station offering it by the slice but if you’re going to sell whole pizzas across the street from Little Caesars I expect at least a written apology from you… or at least don’t try to hide the Lunchable logo on the box.
I’m a big guy, so it’s obvious I didn’t get this way by being a food snob. You want to fool yourself with a pseudo-pizza? Get a Hot Pocket. I’m going to give this a mathemagical score of 2 out of ten.
First of all, I want to say that yes, I am a Daredevil fan. I am familiar with “the lore” as Sam Winchester would say. Secondly, I watched the original movie with Ben Affleck, and I thought it was awful. Thirdly, I then saw the director’s cut of the movie, and thought it was wonderful. And fourthly I want to say that I did watch the first season, and for the most part, I thought it was great. With the second season comes more to love… and then more to not love.
We’re going deep into this one, folks. If you’re the audience that can’t take spoilers, get out now. This is for people who have either already seen it, or for people who watch things for the experience, not for the surprise.
Matt Murdock – Shaking, But Not Stirring
Charlie Cox returns as Matt Murdock, and some things became quickly apparent.
One immediate problem was that Matt’s got nothing new. Charlie Cox is struggling to show off in this series but there’s nothing he can do; he’s blind, so facial expressions don’t really make sense. You can’t look into his eyes. I don’t envy the acting challenge. Ironically, it’s when his face is covered that you see him come alive. The physicality of his role as Daredevil is extremely demanding. The “life” his character shows when in combat is not just the product of his choreography, you can see which fight scenes were filmed on off days and which weren’t.
The character of Matt is harder to identify with as the people around him start asking for things that he can’t give. It’s not like Batman or Spider-Man, where you feel like the people would back off if they knew of his secret pasttime. No, in this case his partner Foggy knows everything, and is asking for things that anybody in the position of business partner and best friend would ask for; namely reliability and the ability to count on him in times of need. As Matt begins neglecting his day life and going out more as the Devil of Hell’s Kitchen, it’s hard to agree with his logic. I began to miss the lawyer scenes.
You’ve Got a Friend in Me
Here is where as a character Matt becomes seriously upstaged. Foggy Nelson is once again played by a cast-out-of-nowhere Elden Henson, who kills it in his role by being likeable, mouthy, yet unashamedly straightforward, decent, and honest. In the old Ben Affleck movie, Foggy was a comical afterthought. Here he is a true character. He struggles to keep Nelson & Murdock afloat and tries his best to understand Matt’s other commitments. He is also deeply hurt at Matt’s insistence on keeping him excluded from his activities and for never telling him about the darker part of his life, and this shows during the times when he has to tend to Matt’s injuries – from getting him hospital care to one point simply reaching out to wipe some blood from Matt’s head as they walked together in the street. Matt takes this guy for granted, and it becomes hard to understand why as a viewer when he’s so obviously an asset, being both a fellow lawyer and a good friend.
Deborah Ann Woll returns as Karen Page, this time with her character being a very obvious reason to explore the Punisher’s past. Unfortunately, these parts tend to drag, as some things that are very easy to guess seem to take forever for her to figure out. She is also the only one in many of her scenes to not know who Matt is, which becomes tiresome, especially when she and Matt begin to tentatively date. In the end, she gets mad at him – pretty understandably, because after days of no-showing she finds him at home with Elektra in his bed… not a lot of explanations she can possibly think of in her head. In fact, it sort of looks like Stick is her pimp in that scene. I’ll talk about her later though, because I can’t hold back from this next guy.
Upstaging the Hero
That’s right – it’s the Punisher. As promised. He is completely intact as a character, though I don’t think this version smokes. Jon Bernthal steals the show in every scene he’s in. In the beginning he’s believed to actually be a disgruntled army – only later is the threat revealed to be one man. The trauma not of being at war… but being at peace and then losing his family – and then being forced to relive that trauma again and again due to his brain condition is one that makes it easy to sympathize with this murderer. His dialogue is so unabashedly fascinating that when he’s out of the picture for a while the series slows to an unbearable crawl. An awful crawl. Almost a turn-off-the-TV crawl. Then…
Kingpin is baaack! Oh, welcome back, man! I was so grateful to see this guy because up until then I was ready to quit the series. Man, was this guy scary last season. Calm and cool… then ANGER EXPLOSION! His scenes with Punisher are some of the most riveting. The series picks itself back up again here, even though I’m going to talk about the things that hurt the series next, it’s worth it to give Vincent D’Onofrio his dues as the one who saved Season 2 for me. Especially since the things that hurt Season 2 for me were quite unforgivable.
Awful Things That Make Me Worried About Season 3
Failed Femme Fatale
Elektra is in this season, and she’s boring as anything. She likes Matt, and she likes killing. She’s sad about Matt not liking killing. Then she’s sad about liking killing. So she leaves and then after killing Angelo from Switched at Birth goes after Stick. Then Matt decides he loves her and wants to leave the country with her. But everyone knows Elektra dies right? So she dies. NOOOOOO! screams Matt. Nobody cares. Because the other thing we all know is that Elektra is always resurrected. ALSO, there’s even a character from the first season, Nobu, that already has been resurrected, so it surprises nobody even so. She’s boring and not intriguing or interesting. She’s not exotic, she’s just boring. Do not pass Go, do not collect $200.00, just go directly to jail. Except jail would have Kingpin, which would make it more interesting again, so…
So the old guy is back, and while he was great in the first season, he’s all over the place here. Matt can’t seem to decide whether this guy is crazy, deserving of his help, or an awful person. One second it’s “screw you, Stick!” then it’s “I owe him everything!” Stick seems similarly confused, as he vacillates between sentences of admiration “You’re the toughest kid I’ve ever met.” and derogatory remarks about how Matt has supposedly “gone soft.” The end result ended up feeling like an excuse to keep us away from Frank Castle and Kingpin stuff… Unforgiveable!
So on a scale of 1 to 1o, I give this season a 5. This is the best version of Kingpin and the Punisher I’ve seen so far, but a lot of this season felt like filler. The parts with the proper villains shine through wonderfully. Here’s to more of that next year… you know, after they’re done with all that ninja garbage nobody cares about.